harpsichord

Alone in the Castle • Introspective Italian Music for the Renaissance Harpsichord

DUX 2227
• Toccata seconda • Canzon francese • Frais e gagliard • Per dolor me bagno il viso • Recerchare • La non vol esser piu mia (Andrea Antico, Frottole…) • Padoana prima • Gagliarda prima • Hor ch’el ciel et la terra • Canzon sopra Susanna • Io mi sono gioveneta • Canzon • La pose boreal • Seconda breve canzon • Canzone detta la Berenice • Ricercada • Canzon detta la Diana • Fantasia del primo tono • Tenore del passo e mezzo con sei mutanze • Ricercar quarto • Canzon seconda • Padoana terza dita la Finetta • Fuga Secunda a quattro

BACH • FRENCH SUITES •STAWARZ CD 1

DUX 1739/1740
• Suite No. 1 in D minor, BWV 812 • Suite No. 2 in C minor, BWV 813 • III Suita h-moll BWV 814

BACH • THE FRENCH SUITES • MROWCA

DUX 1759/1760
• Suite No. 4 in E flat major, BWV 815 • Suite No. 2 in C minor, BWV 813 • VI Suita E-dur BWV 817

Cembali Cori spezzati • Polychoral, Concertato and Trio Music from Gdańsk for Two Harpsichords

DUX 2229
The title Cembali spezzati does not, therefore, refer to a folding harpsichord (cembalo spezzato), nor to a keyboard instrument with split keys (tasti spezzati), but to the very technique of divided choirs – cori spezzati – in which each ensemble, a complete “instrument” in itself, either collaborates with, or is set in opposition to, the other. The initial plan was to focus exclusively on dialogue-style choral music composed in Gdańsk and to transfer it to the medium of two harpsichords. Andrea Gabrieli and Claudio Merulo had acted in a similar way when they performed Italian cori spezzati on the organ. Their legendary performances in the Basilica of San Marco in Venice inspired others to use the available repertoire or improvise upon it, and, in time, to write their own music for two keyboard instruments. One such composer was Aurelio Bonelli, who wrote toccate and dialoghi for two organs or two harpsichords.

Christlieb Siegmund Binder. Sei Suonate per il Cembalo, op. 1. Dresda [1759]

DUX 1153/1154

Dancing Baroque Music

DUX 0600
• Suite (in F) • Suite en C sol ut fa, Premier Livre, 1677 • Sixieme Suitte (in f), Six Suittes de Clavessin, 1701 • Suita francuska Es-dur (nr 4 BWV 815), ca. 1722 • Menuet (in G), Pieces de clavecin, 1689 • Sarabande. Les Sentimens, Premier Ordre, 1713 • Forlane, Concerts Royaux, 1722 • Siciliéne, Les Gouts-Reunis, ou Nouveaux concerts, 1724 • Les Indes Galantes, pieces de transcriptions originales pour clavecin, ca. 1735

Harpsichorduo

DUX 1337
• Concerto in C major for 2 Harpsichords, BWV 1061 (1733-34) • Sonata for 2 Harpsichords in F-major, F. 10 (ok. | c. 1773) • Sonata in D major for 2 Harpsichords, KV 448/375a (1781)

Henry Purcell Suites for Harpsichord

DUX 1437
• Suite No. 1 in G major, Z. 660 • Suite No. 2 in G minor, Z. 661 • Suite No. 3 in G major, Z. 662 • Suite No. 4 in A minor, Z. 663 • Suite No. 5 in C major, Z. 666 • Suite No. 6 in D major, Z. 667 • Suite No. 7 in D minor, Z. 668 • Suite No. 8 in F major, Z. 669

Małgorzata Sarbak harpsichord. Paweł Szymański Dissociative Counterpoint Disorder

DUX 1332
• Dissociative Counterpoint Disorder • Through The Looking-Glass... III • Les Poiriers en Pologne ou une Suite De Pieces Sentimentales de Clavecin faite par Mr Szymański • Partita III

Per Clavicembalo Moderno

DUX 0605
• E for E (1991) for harpsichord • Le cristal flamboyant (2002) for harspichord and tape • Touracou (1974) for harpsichord • Chromatic Fantasy (2003) for harpsichord • Reflection No. 2 (2005) for harpsichord • Nonstopping (2000) for harpsichord • Commencement (1982) for harpsichord • Aurora borealis (1998) for harspichord and tape

Polish Harpsichord Music vol. 1

DUX 0630
• Sonata II,1805 nr 3 D-dur • Sonata III, 1805 nr 6 F-dur • Sonata, 1805 nr 1 B-dur • Polonez, 1805 nr 11 B-dur • Polonez, 1805, nr 12 B-dur • Polonez, 1805 nr 11 d-moll • Polonez, 1805 nr 7 Es-dur • Polonez, 1805 nr 12 Es-dur • Polonez , 1805 nr 5 C-dur • Polonez, 1805 nr 7 C-dur • Rondo a la mazurek, 1803 nr 11 C-dur • Rondo a la krakowiak, 1803 nr 5 B-dur

Polish Harpsichord Music vol. II

DUX 0631
• Temat z wariacjami z opery „Siedem razy jeden” • Polonez B-dur • Walc As-dur • Andante z wariacjami • Polonez Es-dur • Polonaise in D major Op.4 • Polonez C-dur • Andante z wariacjami (F-dur) • Duma na kształt Ronda • Andante F-dur • Polonez F-dur • Temat z opery “Telemach” z wariacjami C-dur • Polonez C-dur • Polonez B-dur • Polonez Es-dur • Andante z wariacjami C-dur • Mazurek G-dur