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  • El Teatro Del Arpa The Harp´s Theatre. Música para arpa de dos órdenes en Espana en el S. XVII | Harp music in Spain in the 17th century.
    El Teatro Del Arpa The Harp´s Theatre. Música para arpa de dos órdenes en Espana en el S. XVII | Harp music in Spain in the 17th century.
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  • El Teatro Del Arpa The Harp´s Theatre. Música para arpa de dos órdenes en Espana en el S. XVII | Harp music in Spain in the 17th century.
El Teatro Del Arpa The Harp´s Theatre. Música para arpa de dos órdenes en Espana en el S. XVII | Harp music in Spain in the 17th century.

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El Teatro Del Arpa The Harp´s Theatre. Música para arpa de dos órdenes en Espana en el S. XVII | Harp music in Spain in the 17th century.

composers -, ∎ , anonim, ∎ , Dowland, John ∎ , Hidalgo, Juan ∎ , Huete, Diego Fernández de ∎ , Martín i Coll, Antonio ∎ , Navas, Juan (F.Gómez) de ∎ , Ribayaz, Lucas Ruiz de ∎ , Serqueira (de Lima), (Juan) ∎ , Zala, Bernardo de ∎
performers Águeda, Sara ∎ , Álvarez, Calia ∎ , Garay, Daniel ∎ , Mayer, Adriana ∎ , Sordo, Víctor ∎
DUX 1359   
• El secreto (the secret). Canción Alemana. • El juego (the game). Zarambeques. • La criada (the maid). ¡Ay de mi ganadito! • La magia (the magic). Pasacalles de segundillo a compasillo. • La poesía (the poetry). Españoletas. • La dama (the lady). Quién es Amor. • El portugués (the Portuguese). Prolatio. • Madre y Padre (mother and father). Pabanas. • La anciana (the old woman). No queráis dormir, mis ojos. • El Francés (the French). Monsiúr dela boleta. • El hechizo (the spell). Tarantela, • El mercader (the merchant). Minuet de primer tono. • Los elementos (the elements). • Tened, parad, suspended. La fiesta en palacio (party palace). Suit segunda. • Juan Sequeira de Lima • La mirada (the look). Gaitas. • El viaje (the tryp). Achas. • La pradera (meadow). Aura, tierna amorosa. • El inglés (the English). Fortune. • El criado (the servant). Canarios. • La iglesia (the church). El agua del llanto. • Fin (the end). Folías.
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In the middle of the XVI century appears in Spain the “cross-strung harp”. For two centuries (1650-1750), the harp in the Iberian Peninsula becomes a king’s instrument. Its appearance in chapels, accompanying church services is more than documented.  But the cross-strung harp is not set aside only to the sacred music. Its intervention both in the palace theatre and the “corral de comedias” (comedy theatre), was privileged.
Facing this repertoire solo, I was not a moment able to dissociate myself from that role so theatrical that the harp had in the Golden Century, and here is where my game begins: THE HARP´S THEATRE. I am able to imagine the scenes and profile of each character through this music, and as a result, this is my goal: for the listeners to imagine, believe and compose their own characters, situations, scenes, in short, his own story.

CD DUX 1359Total time: [70:17]
JORNADA I / ACT I
Diego Fernández de Huete
El secreto (the secret). Canción Alemana.
1. El secreto (the secret). Canción Alemana.
[03:00]
 
Diego Fernández de Huete
El juego (the game). Zarambeques.
2. El juego (the game). Zarambeques.
[02:34]
 
(Juan) Serqueira (de Lima)
La criada (the maid). ¡Ay de mi ganadito!
3. La criada (the maid). !Ay de mi ganadito!,
[02:12]
 
Diego Fernández de Huete
La magia (the magic). Pasacalles de segundillo a compasillo.
4. La magia (the magic). Pasacalles de segundillo a compasillo.
[02:34]
 
Lucas Ruiz de Ribayaz
La poesía (the poetry). Españoletas.
5. La poesía (the poetry). Espanoletas.
[02:51]
 
Juan Hidalgo
La dama (the lady). Quién es Amor.
6. La dama (the lady). Quién es Amor.
[02:37]
 
anonim
El portugués (the Portuguese). Prolatio.
7. El portugués (the Portuguese). Prolatio.
[01:52]
 
Lucas Ruiz de Ribayaz
Madre y Padre (mother and father). Pabanas.
8. Madre y Padre (mother and father). Pabanas.
[02:35]
 
JORNADA II / ACT II
Juan Hidalgo
La anciana (the old woman). No queráis dormir, mis ojos.
9. La anciana (the old woman). No queráis dormir, mis ojos.
[03:43]
 
Diego Fernández de Huete
El Francés (the French). Monsiúr dela boleta.
10. El Francés (the French). Monsiúr dela boleta.
[03:18]
 
Lucas Ruiz de Ribayaz
El hechizo (the spell). Tarantela,
11. El hechizo (the spell). Tarantela,
[01:49]
 
-
El mercader (the merchant). Minuet de primer tono.
12. El mercader (the merchant). Minuet de primer tono, MS 816.
[01:24]
 
Juan Hidalgo
Los elementos (the elements).
13. Los elementos (the elements).
[02:57]
 
Bernardo de Zala
Tened, parad, suspended. La fiesta en palacio (party palace). Suit segunda.
14. Bufón (the jester). Minue I.
[00:50]
15. La carta (the letter). Corrienta “primero tono”.
[02:41]
16. La promesa (the promise). Sarabanda.
[01:39]
17. El engano (deception). Minue II.
[01:01]
18. El baile (the dance) . Corrienta “por el re”.
[01:23]
19. La persecución (the persecution). Minue con su glosa.
[01:29]
 
JORNADA III / ACT III
(Juan) Serqueira (de Lima)
Juan Sequeira de Lima
20. El enamorado (the lover). Valgate amor por nina.
[03:28]
 
Diego Fernández de Huete
La mirada (the look). Gaitas.
21. La mirada (the look). Gaitas
[03:11]
 
Antonio Martín i Coll
El viaje (the tryp). Achas.
22. El viaje (the tryp). Achas
[03:02]
 
Juan (F.Gómez) de Navas
La pradera (meadow). Aura, tierna amorosa.
23. La pradera (meadow). Aura, tierna amorosa
[03:32]
 
John Dowland
El inglés (the English). Fortune.
24. El inglés (the English). Fortune.
[02:23]
 
Antonio Martín i Coll
El criado (the servant). Canarios.
25. El criado (the servant). Canarios.
[02:56]
 
Juan Hidalgo
La iglesia (the church). El agua del llanto.
26. La iglesia (the church). El agua del llanto.
[01:57]
 
Antonio Martín i Coll
Fin (the end). Folías.
27. Fin (the end). Folías.
[07:20]
Performers:
Sara Águeda /harp/
Calia Álvarez /vihuela de arco/
Daniel Garay /drums/
Adriana Mayer /mezzosoprano /
Víctor Sordo /tenore/
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